A painting is not meant to decorate a room, it is an attack and defence weapon against the enemy.

– Pablo Picasso, Les lettres françaises, March 24, 1943.

Every bourgeois is a little playwright, who invents different subjects and who, instead of situating suitable characters on the level of his own intelligence, like chrysalises on chairs, tries to find causes or objects … to give weight to his plot, a talking and self-defining story.

Every spectator is a plotter, if he tries to explain a word (to know!) From his padded refuge of serpentine complications, he allows his instinct to be manipulated…. To be plain: The amusement of redbellies in the mills of empty skulls….

I appreciate an old work for its novelty. It is only contrast that links us to the past….

On the one hand there is a [present] world tottering in its flight, linked to the resounding tinkle of the infernal gamut; on the other hand, there are: the new men. Uncouth, galloping, riding astride on hiccups.

– Tristan Tzara, “Dada Manifesto 1918“.

… I am certain that the greatest evils we know are not due to him who has to face himself again and whose curse is that he cannot forget. The greatest evildoers are those who don’t remember because they have never given thought to the matter, and, without remembrance, nothing can hold them back. For human beings, thinking of past matters means moving in the dimension of depth, striking roots and thus stabilizing themselves, so as not to be swept away by whatever may occur—the Zeitgeist or History or simple temptation. The greatest evil is not radical, it has no roots, and because it has no roots it has no limitations, it can go to unthinkable extremes and sweep over the whole world.

– Hannah Arendt. Responsibility and Judgment. Jerome Kohn, ed. New York: Random House, 2003.

… as individuals they lived by an entirely different calculus. They have household, auto, and health insurance for protection against vastly smaller risks at an infinitesimally smaller scale, and most did not dismiss health warnings from their doctors as a liberal plot. When it is merely the future of the Earth, however, they have been willing to risk irrevocable and irreversible changes.

– David W. Orr. Down to the Wire: Confronting Climate Collapse. New York: Oxford University Press, 2009, p. 4-5.

Property and possessions belong to the tactical sphere. Collectors are people with a tactical instinct; their experience teaches them that when they capture a strange city, the smallest antique shop can be a fortress, the most remote stationery a key position. How many cities have revealed themselves to me in the marches I undertook in the pursuit of books!

– Walter Benjamin. “Unpacking My Library.” In Illuminations. New York: Harcourt, Brace & World, 1968: 63.

[The] … function of entrepreneurs is to reform or revolutionise the pattern of production by exploiting an invention or, more generally, an untried technological possibility by producing a new commodity or producing an old one in a new way, by opening up a new source of materials or a new outlet for products, by reorganising an industry and so on. . . . To undertake such new things is difficult and constitutes a distinct economic function, first, because they lie outside of the routine tasks which everybody understands and, secondly, because the environment resists in many ways that vary, according to the social conditions, from simple refusal to finance or to buy a new thing, to physical attack on the man who tries to produce it. To act with confidence beyond the range of familiar beacons and to overcome that resistance requires aptitudes that are present in only a small fraction of the population and that define the entrepreneurial type as well as the entrepreneurial function. This function does not essentially consist in either inventing anything or otherwise creating the conditions which the enterprise exploits. It consists in getting things done.

– Jospeh Schumpter, Capitalism, Socialism, and Democracy, p. 132, quoted in Richard Barbrook. The Class of the New. London: OpenMute, 2006, p. 66.

Any cancellation of history, in the sense of real times and real places, is essentially a cancellation of the contemporary world, in which, within limits and under pressures, men act and react, struggle and concede, co-operate, conflict and compete.

Raymond Williams. “Effects of the Technology and Its Uses.” In Television: Technology and Cultural Form. [Middletown, Conn.] Hanover, NH: Wesleyan University Press University Press of New England, 1992: 129.

Next Page »